FASHION

In a first, Indigenous designers from Canada showcase their creations at Milan Fashion Week

Robyn McLeod, of the Deh Gáh Got'ı̨ę First Nation in the Dehcho Region of the Northwest Territories, displays some of her designs at Milan Fashion Week in Italy. Indigenous designers from Canada are showcasing their work at the WHITE/Milan Fashion Week section for up-and-<a href=coming designers. (Megan Williams/CBC – image credit)” src=”https://s.yimg.com/ny/api/res/1.2/Pztd7Al8YB3m8_TwiqETpw–/YXBwaWQ9aGlnaGxhbmRlcjt3PTk2MDtoPTcyMA–/https://media.zenfs.com/en/cbc.ca/5484fb42f3b8d947589de96a0b1889f0″/

Robyn McLeod, of the Deh Gáh Got’ı̨ę First Nation in the Dehcho Region of the Northwest Territories, displays some of her designs at Milan Fashion Week in Italy. Indigenous designers from Canada are showcasing their work at the WHITE/Milan Fashion Week section for up-and-coming designers. (Megan Williams/CBC – image credit)

Milan Fashion Week, one of the world’s most important fashion events, is a time when fashion designers and brands display their latest collections, and movie and music stars, fashionistas and influencers appear in the northern Italian city to gain visibility.

Now, for the first time ever, part of the scene includes a group of Indigenous designers from Canada — showcasing everything from Cree syllabics on a faux fur coat and futuristic beaded visors to diaphanous evening wear cascading in feather flowers.

The Indigenous show, part of the WHITE/Milan Fashion Week section for up-and-coming designers, makes a playful, profound and imaginative debut in la Citta’ della Moda, the City of Fashion.

“There’s a lot of special qualities, a lot of magic that goes into our clothing,” said Robyn McLeod, a member of the Deh Gáh Got’ı̨ę First Nation in the Dehcho Region of the Northwest Territories whose work is inspired by Indigenous Futurisms.

“When I’m creating things, it feels exciting, weaving in traditional art and ways of being with technology, contemporary objects and textiles to make something unique. It’s like my excitement is felt by the people who wear my clothing.”

Megan Williams/CBC

Megan Williams/CBC

An elder taught McLeod to sew at the age of six, but she only dedicated herself to designing clothing full time five years ago, lacking the money and mentors to begin sooner.

Highlights of her collection are a glam rock embroidered caribou hide and white fur coat and

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FASHION

GCDS FW23 Is an Ode to Giuliano Calza’s Favorite Things

Nostalgic, rebellious and whimsical – three words you feel instantly in the presence of GCDS, and having met Giuliano Calza you understand why. The Italian Creative Director’s vision for fluidity in streetwear and penchant for play has led the brand to global prominence and he’s just getting started.

Outside of his love for his family, friends and favorite feline, there’s nothing Calza loves more than making clothes: “real ones, meant to be worn, not tricks intended to trigger viral responses” – a concept he addresses by adorning a gigantic cat in newspaper clippings at the center of his Milan Fashion Week runway show.

The Fall/Winter 2023 collection itself plays to the strengths of Calza’s craftsmanship from bourgeois tweed jackets to worn leathers. Safety pins appear throughout the garments as a nod to the process of fashion making and the DIY nature of styling today. While the texture play and tailoring didn’t go unnoticed, it was the bakelite telephone handle and bedazzled Kittho cat bags that stole the show.

Peep the backstage magic of the FW23 showcase above and continue scrolling to hear more about Calza’s inspirations, future ambitions and a few of his favorite things.

You say fashion is “subjected to local economic and sociological scenery.” How did your studies in political science influence what you design today? Is there a social commentary laced in each season that’s cut from the same cloth?

Definitely I do, there’s a lot of economy and a lot of politics tied to every collection. I luckily have a voice and through what I create I can send messages and maybe inspire people. I think I’ve arrived at this point having a quite caring point of view on the world through my studies and experiences. I’ve observed that often clothes are an explanation of

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